HUANG Haihong ^{1, 2}, YU Yingzi ¹

(1. Jingdezhen Ceramic University, Jingdezhen 333403, Jiangxi, China;2. Burapha Univerisity, Bangsaen 20131, Chonburi, Thailand)

Abstract: Since modern times, under the influence of political, cultural , economic and other social factors, Jingdezhen ceramicart has formed different artistic styles in different historical periods, including the rise of ceramic painting art, the introductionof modern ceramic art and the diversified expression of ceramic art. In this process, the innovation of ceramic productiontechnology, the identity consciousness of artists and the different situations of Chinese culture have obvious imprints of th etimes. From the initial imitation and misappropriation of artistic style to the embodiment of multiple styles of artistic creation,it is proved that, in ceramic art production, traditional culture and modern culture can coexist, while the civilization syst em
can be compatible.
Key words: cultural discourse power; cultural agitation; pluralistic integration; cultural identification