Wan Jian

(Ningbo Polytechnic, Ningbo 315800, Zhejiang, China)

Abstract:From Han Dynasty when they were created to Yuan, Ming and Qing Dynasties, the interlacing patterns on Chinese porcelain saw the change in the decorative themes from imitation to creation, the development of color from monochrome to multicolor, and the change of the decorative style from uniformity to variety. All these not only reflect the change and development of interlacing patterns, but also show the decoration history of Chinese graphic art. This paper mainly carries out research on Chinese interlacing patterns in Yuan, Ming and Qing Dynasties, the three most prominent stages in Chinese porcelain history, and discusses the changes of their decorative features and styles on porcelain.

Key words:porcelain; interlacing pattern; decorative art