OUYANG Xiaosheng, ZHANG Ganlin
(Jingdezhen Ceramic Institute, Jingdezhen 333403, Jiangxi, China)

Abstract: The reconstruction and consolidation of cultural confidence in the system of ceramic art criticism is an important premise for the attainment of the elevation and modernity of Chinese traditional ceramic art. It requires critics to maintain their confidence in their nation’s culture, system, theory and path, the four cornerstones on which the criticism system develops.

Key words: cultural confidence; ceramic art criticism