YUAN Lehui 1, WANG Liping 2, FENG Lin 3
(1. Jingdezhen Ceramic Institute, Jingdezhen 333403, Jiangxi, China; 2. Jingdezhen Institute, Jingdezhen 333403, Jiangxi, China; 3. Jingdezhen Market Supervision Authority, Jingdezhen 333000, Jiangxi, China)
Abstract: Ceramic art, as a symbolic art form of self, self-metaphor and self-evidence in the era of individual aesthetics, also conveys the cognition of the creator's "situation" and "context" of his/her artistic aesthetics. On one hand, without a given situation, there would be no innovation and expression. On the other hand,without a certain context, the art would have no inheritance and derivation. Yao Yongkang has a distinct self-context and context in his ceramic work "Century Doll", which in turn has reflected and recognized his personal styles. It is only possibleto analyze the author's artistic concept through the imaging information of his works, as well as the ancient and the philosophical methods.
Key words: ceramic; century doll; aesthetic